Aisha In Wonderland
must see films.

I saw Moonrise Kingdom last night.  It was so amazingly good.  If I had to rank Wes Anderson’s films I’d say: The Royal Tenenbaums, Rushmore and Fantastic Mr. Fox on the same level, Moonrise Kingdom, and then The Darjeeling Limited.

I’m always looking for a good film to watch. any suggestions?

I might throw a list of movies up here, that I think are worth a watch.

it doesn’t matter does it? nothing really matters.

“dirty novels helped me to become a speed reader”
6/03/12
post secret

“dirty novels helped me to become a speed reader”

6/03/12

post secret

tornado outside my window, at work, on Friday.

tornado outside my window, at work, on Friday.

my little chubster! <3

my little chubster! <3

terrible photo of me but Nayif looks pretty cute. we were having a frustrating conversation.  I was telling him he needed to burp and he was telling me he doesn&#8217;t take orders from khala, &#8220;so bug off! I refused to burp&#8221;  he may have also barfed on me twice in one day!
love you little buddy!

terrible photo of me but Nayif looks pretty cute. we were having a frustrating conversation.  I was telling him he needed to burp and he was telling me he doesn’t take orders from khala, “so bug off! I refused to burp”  he may have also barfed on me twice in one day!

love you little buddy!

the cat is almost out of the bag!!!!

the cat is almost out of the bag!!!!

Tiny Toonz loves Rebecca Minkoff, watching TV all day sprawled out on the couch with his little potbelly hanging out,  and then eating from a 24 hour buffet.  he&#8217;s not spoiled and cute at the same time or anything. ;)

Tiny Toonz loves Rebecca Minkoff, watching TV all day sprawled out on the couch with his little potbelly hanging out,  and then eating from a 24 hour buffet.  he’s not spoiled and cute at the same time or anything. ;)

big ears. big expectations.
me: Mom, Nayif has big ears! look at how big they are!
mom: So! That's a good thing. people with big ears have been known to do great things!
me: *in my head* you mean like Dumbo or Yoda...?
mom: Gandhi had big ears!
me: Gandhi believed in the cast system. He disappoints me.
dad: Gandhi did his best with what he could to bring people together. he could never have changed people's views on the cast system during that time.
me: But dad, he believed in it. He believed the Dalits should-
dad: He wanted them to be in society
me: But he opposed Ambedkar. He thought their positions should stay the same.
dad: Gandhi was a pioneer in freedom from the colonial rule. I respect him.
me: *thinking* Well they did put his face on the rupee notes.
me: But, Nayif does have big ears! I'm just saying!

if you put your ear on the inner thigh of a complete stranger on the bus you can actually hear them say “what the fuck are you doing”

lumberjacket:

Audrey Tautou
(By Thomas Leidig)

lumberjacket:

Audrey Tautou

(By Thomas Leidig)

nickdrake:

“Just Look at how many fucks she doesn’t give” 
Little Miss Sunshine.

nickdrake:

“Just Look at how many fucks she doesn’t give”

Little Miss Sunshine.

newyorker:

Richard Brody on What to See This Weekend: Wes Anderson’s “Moonrise Kingdom,” Twice

What makes the film thrillingly different—in content and in affect, in emotional energy and in visual imagination—is its metaphysical and religious element. There’s an expressly transcendent theme in “Moonrise Kingdom” that raises the tender and joyous story of young lovers on the run to a spiritual adventure. The moral vision of the world, which was always implicit and latent in Anderson’s other films, here bursts out as a distinctive, ecstatic, visionary new cinematic dimension. Anderson has always been far more than just an exquisite stylist—his style is an essential part of a consistent spiritual vision. But in “Moonrise Kingdom,” his world view is projected beyond personal experience into a cosmic fantasy. It’s Anderson’s own counter-Scripture, a vision of a moral order, ordained from on high, that challenges the official version instilled by society at large—and he embodies it in images of an apt sublimity (as well as an aptly self-deprecating humor).

Click-through to read the rest of Brody’s review. 

newyorker:

Richard Brody on What to See This Weekend: Wes Anderson’s “Moonrise Kingdom,” Twice

What makes the film thrillingly different—in content and in affect, in emotional energy and in visual imagination—is its metaphysical and religious element. There’s an expressly transcendent theme in “Moonrise Kingdom” that raises the tender and joyous story of young lovers on the run to a spiritual adventure. The moral vision of the world, which was always implicit and latent in Anderson’s other films, here bursts out as a distinctive, ecstatic, visionary new cinematic dimension. Anderson has always been far more than just an exquisite stylist—his style is an essential part of a consistent spiritual vision. But in “Moonrise Kingdom,” his world view is projected beyond personal experience into a cosmic fantasy. It’s Anderson’s own counter-Scripture, a vision of a moral order, ordained from on high, that challenges the official version instilled by society at large—and he embodies it in images of an apt sublimity (as well as an aptly self-deprecating humor).

Click-through to read the rest of Brody’s review

censu:

(by Christian Pitschl)